Now I will be used to your feelings, Neither was he needed. have forgotten, Those sweet memories Re-erase those blurred paper. Do not miss now I got some mild tickles. I don\’t need your identity anymore I don\’t need to say those things with your hand on my shoulder. I do not need it anymore. Your winding things Because I have learned to wrap those beautiful things in myself. No need for your support now No need to stagger Nowadays I identify myself And I make a mark on myself from the royal. Because nowadays I make myself अब तेरे अक्स की ना मुझे आदत रहेगी , ना उसकी जरूरत रह गई। भूल गया हूं , उन मीट हुई यादों को उन धुंधले कागज को फिर से मिटाना। अब याद आती नहीं है । मुझे कुछ हल्की गुदगुदाती हुई बातें । अब तेरे पहचान की मुझे जरूरत नहीं तेरे कंधे पर हाथ रखकर मुझे वह बातें कहने की जरूरत नहीं। अब मुझे जरूरत नहीं है। तेरे घुमावदार बातों कीक्योंकि सीख गया हूं खुद में उन खूबसूरत बातों को लपेटना। अब तेरे सहारे की जरूरत नहीं लड़खड़ाते हुए शब्दों को पूरा करने की जरूरत नहीं आजकल अपनी पहचान खुद बना लेता हूं और शाही से अपने ऊपर निशान खुद बना लेता हूं। क्योंकि आजकल खूबसूरती खुद ही बना लेता हूं
this is a poem which is in Hindi and translate in English
Dinesh has done his Bachelor\’s qualification from Santiniketan Kala Bhavan and Master MSU Baroda Faculty of Fine Arts. He is a Visual Practitioner. He believes that no artist has a language. likewise, believe that the practicing artist has neither a solitary medium nor a solitary philosophy. He has taken part in the Jaipur art Summit. the name of my show \”Mind Without Fear \”. additionally, he did a gathering show Curintia at MSU Baroda Faculty of Fine Arts.he did a body workshop with Nikhil Chopra. The workshop was about Performance art and how the body draws in itself in existence. His thesis subject of my graduate degree was \”Understanding the performativity\”. Under this subject, I researched on performativity where performativity conduct started in dadaism. and gradually over time, it advances to execution craftsmanship. In the middle of performativity likewise created open theater, experimental theater, and Bauhaus house, and so on even today, performativity is making changes in itself. I have likewise done my very own few tasks which were pratidhwani. During this venture, I utilized an old design with some Instrumental musicians and artists without there formal apparatuses so that after some time the group accumulated there and they additionally utilized that entire architecture to produce music. Utilizing performativity conduct of the people, I actuated the engineering